Additionally, 14 out of the 25 countries with the highest rates of gender-based violence can be found in Latin America. Latin America has incredibly high rates of femicide, or feminicide at least 12 women suffer from gender-based violence daily.

Chávez herself was assassinated in 2011, moment in which the phrase became a 'symbol of struggle'. The collective takes its name from a 1995 phrase by Mexican poet and activist Susana Chávez, ' Ni una muerta más' (Spanish for 'Not one more dead'), in protest to the female homicides in Ciudad Juárez. The movement regularly holds protests against femicides, but has also touched on topics such as gender roles, sexual harassment, gender pay gap, sexual objectification, legality of abortion, sex workers' rights and transgender rights. Social media was an essential factor in the propagation of the Ni Una Menos movement to other countries and regions. In its official website, Ni una menos defines itself as a 'collective scream against machista violence.' The campaign was started by a collective of Argentine female artists, journalists and academics, and has grown into 'a continental alliance of feminist forces'. This mass mobilization comes as a response to various systemic issues that proliferate violence against women. Y así, consumir arte se convirtió en mi estrategia principal para encontrar una idea investigable al estudiar el trabajo de otros y otras artistas desde un punto de vista técnico, encontré una gran cantidad de preguntas y respuestas complejas que le dieron vida a mi exploración artística.Ni una menos ( Spanish: Spanish for 'Not one less') is a Latin American fourth-wave grassroots feminist movement, which started in Argentina and has spread across several Latin American countries, that campaigns against gender-based violence. En otras palabras quedé consumido por las diferentes maneras de sugerir movimiento en la tridimensionalidad. Grandes y pequeñas cantidades de vidrio se paraban en un equilibrio perfecto para permitir una composición armoniosa, curvas aparentemente frágiles hacían cortes limpios entre espacios negativos y positivos, y líneas continuas bailaban en dinámica elegancia para formar estructuras con ritmo. Estas esculturas rápidamente se convirtieron en guías para mi investigación, pues retaron las ideas que yo tenía sobre los principios y elementos de la tridimensionalidad.

Recorriendo el laberinto de escaleras, rampas y pasillos, me encontré con una de las exhibiciones más viejas del museo, que mostraba las increíbles esculturas de vidrio de Masahiro Asaka, Galia Amsel y otros artistas. And so, actively consuming art became my prime strategy to find an investigable idea by studying the work of other artists from a technical standpoint, I found a wealth of complex questions and proposals that gave new life to my artistic endeavor.īuscando inspiración para mi portafolio, fui sorprendido por la falta de ideas, pero mientras buscaba algo significativo que atrajera mi curiosidad, tuve la oportunidad de visitar el museo de arte de Palm Springs. In other words, I became fixated on the different ways of suggesting movement in 3-D design. Large and small volumes of glass stood in perfect equilibrium to give way for harmonious compositions, seemingly fragile curves made clear cuts between negative and positive space, and continuous lines danced in dynamic elegance to form rhythmic structures. These sculptures quickly became guiding stones for my investigation as they challenged previous ideas I had about the elements and principles employed in 3-D Art design. While I made my way through the maze of stairs, ramps, and hallways, I came across a long-standing exhibit that showcased mesmerizing glasswork by Masahiro Asaka, Galia Amsel, and other glass artists. When seeking inspiration for my portfolio, I was caught off guard by the lack of ideas, but as I searched for something meaningful that engaged my curiosity, I had the opportunity to visit the Palm Springs Art Museum.

Ni una mas ni una menos svg